Friday, 23 July 2010

postheadericon J.J. Johnson - The Eminent Jay Jay Johnson (Blue Note, 1955)


 
One of, to my knowledge, Chambers first ever recording sessions, Johnson and him had however recorded with King Pleasure the year before. A quintet setting with Jazz Messengers Hank Mobley and Horace Silver, plus Kenny Clarke on drums. Fine tempo throughout the session save for the ballad 'You're Mine, You'. Solid play by Chambers who had just turned 20 having spent the year leading up to this session touring and donning a role as a 'house bassist' at the Cafe Bohemia in New York. Three of the half dozen numbers are Johnson compositions and three alternate takes are thrown in on the CD release.
Doing research for this post i experienced the Blue Note release/re-release phenomenon, confusing stuff. The Eminent Jay Jay Johnson comprises three volumes, originally released in the Blue Note Modern Jazz series, or the '5000 series'. The first one came in 1953 (Vol 1, BLP 5028), the second in 1954 (Vol 2, BLP 5057) and the last in 1955 (Vol 3, BLP 5070, cover to the left). The latter is where Chambers came into the picture. In 1955 Blue Note abandoned the 10 inch 5000 series in favour of long play 12 inch records, in fact BLP 5070 was the very last. Cue the culturally defining Blue Note 1500 series.
The first 1500's were re-releases of successful 5000 releases. The three Eminent volumes were shrinked to a couple of Long Players, BLP 1505 and 1506 (green cover), but are a mix of sessions and dates. When CD came around they were re-released once again, this time cleaned up chronologically. The cd release of Volume 1 covers the 1953 session exclusively, and Volume 2 is a 15 track all inclusive of the '54 and '55 sessions, both cd's comes remastered and with unissued alternate takes. To round off the release bonanza, Allmusic.com lists a 24 track 'Complete Eminent Jay Jay Johnson' CD, all the sessions in one package. Recommended!

  1. Too Marvelous For Words - 3:35 (Mercer, Whiting)
  2. Jay - 3:42 (J.J. Johnson)
  3. Old Devil Moon - 3:52 (Harburg, Lane)
  4. It's You Or No One - 4:06 (Cahn, Styne)
  5. Time After Time - 4:13 (Cahn, Styne)
  6. Coffee Pot - 4:08 (J.J. Johnson)
  7. Pennies From Heaven - 4:18 (Burke, Johnston)
  8. Viscosity - 4:21 (Johnson)
  9. You're Mine, You - 3:07 (Green, Heyman)
  10.  "Daylie" Double - 4:27 (J.J. Johnson)
  11.  Groovin' - 4:40 (J.J. Johnson)
  12.  Portrait Of Jennie - 2:56 (Burdge, Robinson)
  13.  Pennies From Heaven (Alternate Take) - 4:25
  14.  Viscosity (Alternate Take) - 4:21
  15.  "Daylie" Double (Alternate Take) - 4:38

Tracks 1-6 recorded at The Van Gelder Studio, Hackensack, New Jersey, September 24, 1954
 
J.J. Johnson, trombone
Wynton Kelly, piano
Charles Mingus, bass
Kenny Clarke, drums
Sabu, congas

 
Tracks 7-15 recorded at The Van Gelder Studio, Hackensack, New Jersey, June 6, 1955

 
J.J. Johnson, trombone
Hank Mobley, tenor sax
Horace Silver, piano
Paul Chambers, bass
Kenny Clarke, drums

 
Treat yourself to a listen to You're Mine, You in the player.

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About

This is an attempt to shed some light on Mr. Chambers' endeavours as one of the top jazz bassmen. He was extremely sought after, and his sessions is a list of who is who in the hardbop era. I'm gonna put out on this blog some of the recordings i know of (210 and counting:), together with some doodle about them.



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Jazzchamber
Jazzfan with too much time on my hands:)
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