Saturday, 31 July 2010

postheadericon Paul Chambers – Chambers’ Music (Jazz West, 1956)

Chambers Music

Paul Chambers album debut as a leader is subtitled ‘A Jazz Delegation from the East’, presumably because it was recorded in Los Angeles for the local label Jazz West by a group of jazzmen from the east coast. I wonder how that came about? I’m gonna hazard a guess at this; Chambers, Jones and Coltrane were employed in Miles Davis’ quintet at the time and they were probably gigging in California. The pianist Kenny Drew got wind of this and invited Chambers to play on an album he was doing with Jane Fielding for Jazz West. Jazz West gave Chambers the opportunity to cut an album, and asked Drew to join in on piano. Plausible, yeah why not:)
As we know Chambers had got the call from Miles Davis six months prior to join the new Quintet with Coltrane, Philly Joe Jones and Red Garland, all more or less established in their own right, and they had already recorded ‘Round About Midnight’ for Columbia and ‘Miles’ For Prestige Records. In addition Davis kept them busy playing shows in Baltimore, Detroit and Chicago to mention a few cities. Without a shadow of a doubt Chambers natural talent blossomed and his playing developed rapidly during 1955-56, and soon he was to become a very sought after session player in addition to his ‘day job’ in the quintet.
On ‘Chambers’ Music’ he is given plenty of room to stretch out on all the numbers. ‘Visitation’, his own composition, and ‘Easy To Love’ is all Chambers, the latter a perfect showcase for his splendid arco play. ‘Dexterity’ has a good Drew solo, ‘Stablemates’ is drawn from The Quintet repertoire and ‘John Paul Jones’ gets Coltrane going.
Jazz West was a short lived subsidiary of Aladdin Records that managed to get almost a dozen releases under their belt before they folded, among them the aforementioned Jane Fielding, a Kenny Drew session and an Art Pepper album. ‘Chambers’ Music’ was released in 1956 or 1957 as Jazz West LP 7 and presumably went out of print quickly.
High StepThen, in 1975 these six tracks plus four from Chambers’ album ‘Whims of Chambers’ and three obscure tunes from a Pepper Adam/Curtis Fuller session (more on that further down), are released by Blue Note as a double-billed, double LP; ‘High Step’ (BNLA 451-2).
The definitive edition of ‘Chambers’ Music’ has to be the CD. Remastered in 1989 and released several times by Blue Note it consists of the original session and three Curtis Fuller led tracks. As it turns out this was Fuller’s recording debut, recorded in April 1956 for another short-lived label, Transition, but only released in its entirety on ‘High Step’ and ‘Chambers’ Music’. They feature Pepper Adams and on ‘Trane’s Strain only, Roland Alexander on piano. A fine session, quite obscure, but included on the Chambers Mosaic box set for reference.
‘Chambers’ Music’ is an integral part of the Chambers catalogue soon to be followed by ‘Whims Of Chambers’

  1. Dexterity - 6:46 (Parker)
  2. Stablemates - 5:52 (Golson)
  3. Easy To Love - 3:52 (Porter)
  4. Visitation - 4:57 (Chambers)
  5. John Paul Jones (aka Trane's Blues) - 6:56 (Coltrane)
  6. Eastbound - 4:24 (Drew)
  7. Trane's Strain - 11:04 (improvisation)
  8. High Step - 8:12 (Harris)
  9. Nixon, Dixon And Yates Blues - 8:29 (improvisation)
Tracks 1-6 recorded at Western Recorders, Los Angeles 2. March 1956
John Coltrane, Tenor Sax
Kenny Drew, Piano
Paul Chambers, Bass
Philly Joe Jones, Drums

Tracks 7-9 recorded in Cambridge, Massachusetts on 20. April 1956

John Coltrane, Tenor Sax
Pepper Adams, Baritone Sax
Curtis Fuller, Trombone
Roland Alexander, Piano
Paul Chambers, Bass
Philly Joe Jones, Drums

And last, but not least, i bid you to listen to Visitation in the player.

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This is an attempt to shed some light on Mr. Chambers' endeavours as one of the top jazz bassmen. He was extremely sought after, and his sessions is a list of who is who in the hardbop era. I'm gonna put out on this blog some of the recordings i know of (210 and counting:), together with some doodle about them.



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Jazzchamber
Jazzfan with too much time on my hands:)
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